This group became a development partner with DigiDesign and began work to create the Oxford EQ for Pro Tools. As technology became cheaper with increasing power, a group formed in Sony Oxford that began to focus on how best to re-purpose the Oxford technologies into audio workstations. Sony Oxford became the world leader for development of 1-bit audio processing (DSD, the basis for SACD), and additionally a variety of R&D contracts were undertaken on behalf of various groups in Sony.
Although software maintenance of the OXF-R3 continued for some years, the core activities of the group diversified. Even a bespoke microcode compiler and router were developed from scratch. Moreover, because it is a transparent EQ like the Oxford EQ mentioned above, it’s like it magically solves problems in a natural way.Quote All hardware and software, all audio i/o, all system architecture and cosmetic design, and all audio algorithms and signal flow were designed by the engineers in Oxford, including an audio DSP chip (at that time it was impossible to buy DSP technology with enough power). Because you can set the Threshold and Dynamics (similar to Ratio) like compression, you can easily set the desired boost or cut. The Oxford Dynamic EQ displays the waveform of the sound, visually displaying the swollen band, and where the EQ is activated becomes very clear. It allows you to solve the problem without changing the original sound. → EQ boost or cut is applied only if a specific band is larger than the set valueįor example, with vocals, EQ is applied only when there is a moment where a low tone stands out too much at a certain point, or where a particular phrase hurts your ears. This is not included in the Elite Bundle, but it is a plug-in worthy of mention! The Dynamic EQ itself has become quite popular, but the Oxford Dynamic EQ stands out, having a great advantage in terms of its sound and usability! I will briefly explain Dynamic EQ.
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